Jeremy Oury combines audio and visual skills to make singular mappings or digital installations and promotes a fresh vision of audiovisual arts. He focuses on a research about illusions from geometric distortions of Moiré's effects and works on immersive forms in order to place the viewer at the center of a minimalist virtual universe to disrupt his perception of space. He also pursues explorations into intermedia forms with creative programming and electroacoustic compositions with synaesthesic partitions in various way (architectural mapping, led screen, fulldome, theater).
He loves visual distortions and unexpected narrations. These sound partitions are inspired by abstract textures with several sound layers, radically transformed sounds and electronic sample playing with the full width of the spectrum. These video contents combine different geometric and abstract forms to create distortion and tension's games specific to minimalism. These creations immerse the spectator in a mix of light and shadow or even illusions.
He develops an creative process working on symbols and collective imaginary through simple themes to follow a logical narrative for the visual effects. His artwork was awarded in various international video mapping festivals, fulldome festivals and he participates to the ISEA symponium 2019 (South Korea) and to the FILE festival 2019 and 2018 (Brazil).
Award best Fulldome Short Form - Macon film festival 2019 (USA)
Award mapping 1st ex-aequo - Skopje Light Art District 2019 (North Macedonia)
Award public Prize - ICIA festival 2019 (Poland)
Award Innovative Production Technologies - Fulldome festival 2018 (Germany)
Award videodome ex-aequo - MADATAC 09 2018 (Spain)
Award mapping 1st- Festival Luz Y Vanguardias 2017 (Spain)
Award mapping 1st - Bam contest 2017 (Belgium)
Award mapping 2nd - Bam contest 2016 (Belgium)
Award mapping 1st amator - FIMA 2015 (Mexico)
Award mapping 1st amator - FIMG 2015 (Spain)